This blog has been set up by atelier | small, Tang Ling Nah and Zai Tang, as an online platform documenting the development of our collaborative public art installation, titled ||| Movement. Our work will be shown from 14th October – 4th November as part of Hub-to-Hub and Archifest 2011.
Thursday, 17 November 2011
A Synopsis of ||| Movement (Shuffle)
What impression will ||| Movement leave behind for its host
site? What if ||| Movement decides to stay
indefinitely? Will it outstay its welcome? While it’s still here, how does ||| Movement want to dance with its surrounding
site―with its curves, its
emotions, its (missed) opportunities? For lack of imagination, ||| Movement takes
its host site by the hand, and then by the waist, and gives it a twirl for old
times’ sake!
||| Movement (Shuffle), conceived as the second part of ||| Movement, imagines this
dance through the ||| Movement installation and
soundscape’s zones for remembering, contemplating and transforming―all this against the fragmentation
of past relics, the romantic backdrop of Fort Canning Park and the youthful
aspirations of the neighbouring collegiate.
||| Movement (Shuffle) begins with
couples of various pairings enjoying recognisable slow dance steps and an
emerging pattern of twirls and spirals. The image of a ballroom is conjured
from this transitory space between the Singapore that never sleeps and the
Singapore that sits still. Perhaps in a
rocking embrace, the non-stop movement and the stillness can co-exist. Viewers
and passers-by are invited to join in this embrace with two-left feet,
two-right feet, and everything in between.
Abruptly, spritely and sticky young individuals take
interest in the space and the highs and lows of its installations. The
individuals coalesce into a blob for added support and travel through the space― curving around, going under and
climbing over anything/one that is in their way. When the journey is easy, they
do a fast and playful dance. They can only manage a slow dance when the journey
is tough. There is no end to their travels. Someone needs to tell them to stop!
Though, occasionally, they find themselves in a tight, forgotten corner at the
self-help section, and someone steals a kiss.
What does the host site think or feel about all this? Does
it need some time to respond? Would it help if there were a rest in the
movement at this very moment; a pause for breath? Perhaps everyone―blob, dancing couples, viewers―lost their ability to move
anything but their expressive diaphragms. At this point, soft cricket sounds
escape from behind clenched teeth and fill the space. Somehow, the cricket
sounds make contemplating that much easier.
Wednesday, 19 October 2011
Tuesday, 18 October 2011
Monday, 17 October 2011
Sunday, 16 October 2011
Thursday, 13 October 2011
Welcome!
This blog has been set up by atelier | small, Tang Ling Nah and Zai Tang, as an online platform documenting the development of our collaborative public art installation, titled ||| Movement. Our work will be shown from 14th October – 4th November as part of Hub-to-Hub and Archifest 2011.
The chosen site for our work is the transitory space between the National Museum of Singapore and escalators leading to Stamford Green and Fort Canning, where the old National Library once stood.
The work itself is a site‐specific installation exploring the cycle of construction, deconstruction and renewal within the city. It comprises three zones―remembering, contemplating and transforming―reminiscent of three movements in a single musical composition. Sound recordings from the urban environment are transformed and fused with architectural elements made from construction waste to create a distinct aural‐spatial experience. The work encourages the public to slow down, stop and contemplate on the perpetual cycle of urban transformation through the act of listening.
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Thank you
We'd like to extend our gratitude to the following people, who helped make our installation possible.
Contractors / Supporters
1. Everise Awnings & Iron Works - steel works & construction works
2. J & C Services - cabling works
3. Hong Gam Industries Pte Ltd - supply of reclaimed timber strips
4. Uncle Moh Interior Design & Renovation - supply of salvaged plywood strips
5. Hoong Thye Furniture & Renovations Pte Ltd - supply of plywood boards
Sponsorship
Acclaim Lighting
ATLAS Experience: http://www.atlas-sv.com/
Documentation
Olivia Kwok (for photo-documentation of setting up): www.jooksh.com
Tang Ling Nah (for photo-documentation of final work): www.activatedcstudio.blogspot.com
Sherman See-Tho & Wong Liyun (for photo-documentation of performance of ||| Movement (Shuffle):
www.mr-seetho.blogspot.com
Benjamin Low (for video-documentation of Shuffle's rehearsal 26 Nov 2011)
Mentorship / General Awesomeness
Xinyan Wu
Yunn Ee Chee
http://www.unbox.com.sg/
Willie Koh
Selwyn Low
Contractors / Supporters
1. Everise Awnings & Iron Works - steel works & construction works
2. J & C Services - cabling works
3. Hong Gam Industries Pte Ltd - supply of reclaimed timber strips
4. Uncle Moh Interior Design & Renovation - supply of salvaged plywood strips
5. Hoong Thye Furniture & Renovations Pte Ltd - supply of plywood boards
Sponsorship
Acclaim Lighting
ATLAS Experience: http://www.atlas-sv.com/
Documentation
Olivia Kwok (for photo-documentation of setting up): www.jooksh.com
Tang Ling Nah (for photo-documentation of final work): www.activatedcstudio.blogspot.com
Sherman See-Tho & Wong Liyun (for photo-documentation of performance of ||| Movement (Shuffle):
www.mr-seetho.blogspot.com
Benjamin Low (for video-documentation of Shuffle's rehearsal 26 Nov 2011)
Mentorship / General Awesomeness
Xinyan Wu
Yunn Ee Chee
http://www.unbox.com.sg/
Willie Koh
Selwyn Low
Soundscape: Background
Like our original proposal for Plaza by the Park, we all felt it was crucial to retain a site-specific response within our proposal for the new space we acquired. The seeds of our new concept began to germinate when we considered the history of the site; this transitory space was where the Old National Library Building once stood. Much lamenting and heart-felt criticism has been expressed since its demolition in March 2004, so we felt we didn't want to dwell on the past too much and repeat what others have (rightly) said previously.
Instead we began to conceive of the Old NLB's demise as a starting point to reflect upon the endless cycle of transformation within the city; this national icon's unfortunate end being a single chapter within a book about Singapore's development, as it spirals further into urbanity. As well as highlighting the theme of disappearance of local heritage, we wanted to tell other stories surrounding urbanisation too; the gradual decline of nature within the city, the loss of clarity within the urban soundscape, and the wider need to find sustainable approaches to our modern way of living.
Our team wanted to create an aural space for the audience to experience these themes, so we decided to create three zones within the final work - remembering, contemplating and transforming - which link together with notions of past, present and future respectively.
Instead we began to conceive of the Old NLB's demise as a starting point to reflect upon the endless cycle of transformation within the city; this national icon's unfortunate end being a single chapter within a book about Singapore's development, as it spirals further into urbanity. As well as highlighting the theme of disappearance of local heritage, we wanted to tell other stories surrounding urbanisation too; the gradual decline of nature within the city, the loss of clarity within the urban soundscape, and the wider need to find sustainable approaches to our modern way of living.
Our team wanted to create an aural space for the audience to experience these themes, so we decided to create three zones within the final work - remembering, contemplating and transforming - which link together with notions of past, present and future respectively.
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